![]() |
![]() CDROM VERSION POSTER STORE ABBOTT ANSEL ADAMS ROBERT ADAMS ALVAREZ BRAVO ATGET BELLOCQ BLOSSFELDT BOURKE-WHITE BRANDT BRASSAÏ CALLAHAN CAMERON COBURN CUNNINGHAM DeCARAVA DOISNEAU EGGLESTON EVANS FENTON FRIEDLANDER GOWIN GUTMANN HILL&ADAMSON HINE KARSH KERTÉSZ KLEIN KOUDELKA LANGE LARTIGUE LAUGHLIN LEVITT MAPPLETHORPE MEATYARD MEYEROWITZ MODEL MODOTTI MUYBRIDGE NADAR NEWMAN O'SULLIVAN OUTERBRIDGE PARKS PENN RIIS RODCHENKO SALGADO SHERMAN SHORE SMITH SOMMER STEICHEN STIEGLITZ STRAND TALBOT UELSMANN WALDMAN WATKINS WESTON WHITE WINOGRAND WOLLEH |
Text from John Szarkowski, Looking at Photographs: 100 Pictures from the Collection of the Museum of Modern Art
Carleton E. Watkins
It is self evident that a truly radical invention is one that nobody knows how to use. In 1839 there were no photographers, only experimenters; ten years later every town of even modest pretensions had at least one daguerreotype gallery. This army of photographers had come from the ranks of a hundred trades and crafts, most of which were not even remotely related to the science or the art of photography. |