"Alvin Langdon Coburn belongs to the generation of photographers who brought about the change from the pictorialism of the 19th century to an avant-garde-oriented style of photography.
"It was during a visit in 1899 to a distant cousin in London, art photographer Fred Holland Day, that Coburn became definitely fascinated with photography. As early as 1902 he opened his own studio in New York. There Coburn became acquainted with Alfred Stieglitz, in whose magazine Camera Work he published some of his photographs as photogravures. Through the circle of artists around Stieglitz, Coburn soon became familiar with the avant-gardistic trends of the art. Inspired by that trend, he began to explore new forms of expression with photography. He experimented with extreme perspectives and developed a strong interest in structures and abstract formations. in 1912 he left New York and went to Great Britain, where he remained to the end of his days. There he had friendly contacts among members of the English group of cubists founded by Ezra Pound and called "Vorticists". This connection inspired Coburn's "Vortographs", in which he achieved a cubist fragmentation of forms by using reflecting prisms.
"In addition to his avant-garde creativity, Coburn also made a name for himself with portraits of famous contemporary personalities, which he published in 1913 and 1922 in his two volumes entitled Men of Mark."
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